Pianist and conductor Vladimir Feltsman is one of the most versatile and constantly interesting musicians of our time. His vast repertoire encompasses music from the Baroque to 21st-century composers. He has appeared with all the major American orchestras and on the most prestigious musical stages and festivals worldwide.
In summer 2012, Mr. Feltsman continued his long association with the Ravinia Festival, where he performed Tchaikovsky’s Piano Concerto No. 1 with the Chicago Symphony Orchestra and James Conlon; and with the Aspen Music Festival, performing Beethoven’s “Emperor” Concerto with Jane Glover. He also appeared at the Eastern Music Festival in Greensboro, North Carolina, performing Beethoven’s 3rd Concerto with Gerard Schwarz. He performed with the Orquesta Filharmónica of the Teatro Colón in Buenos Aires in October of 2011 and returned to South America in March 2013 as featured soloist with the Orquesta de Sinfônica de Minas Gerais in Belo Horizonte, Brazil. Other orchestral engagements in the 2012-13 season include performances of two Mozart concerti with the Seattle Symphony and Gerard Schwarz, and performances with the Atlantic Classical Orchestra and Music of the Baroque.
In June 2012, Mr. Feltsman returned to his native Russia to work as a conductor with the “Moscow Virtuosi” and performed with the St. Petersburg Philharmonic and Yuri Temirkanov. He returned to Moscow in 2012-13 to perform Brahms’ Piano Concerto No. 2 with Mikhail Pletnev; and to St. Petersburg, conducting the St. Petersburg Philharmonic as well as performing in recital.
In great demand as a recitalist, Mr. Feltsman returned to Carnegie’s Stern Hall in March 2011, and included within the 2010-11 season recitals in Los Angeles, Kansas City, Palm Beach, Fort Worth, Lincoln and Ann Arbor. He followed that hugely successful season with recitals in Philadelphia, Indianapolis, Richmond, Portland and Bogota, and will perform in recital in the 2012-13 season in New York, Miami, Palm Beach, and at Union College. South Korea welcomed Mr. Feltsman in January 2013 for both recital and chamber music performances.
Mr. Feltsman expressed his lifelong devotion to the music of J.S. Bach in a cycle of concerts which presented the major clavier works of the composer and spanned four consecutive seasons (1992-1996) at the 92nd Street Y in New York.
His more recent project, Masterpieces of the Russian Underground, unfolded a panorama of Russian contemporary music through an unprecedented survey of piano and chamber works by fourteen different composers from Shostakovich to the present day. The programs included a number of world and North American premieres. Mr. Feltsman served as Artistic Director for this project as well as performing in most of the pieces presented during the three concert cycle. It was presented by the Chamber Music Society of Lincoln Center in January 2003 with great success and was also presented in Portland and Tucson. In fall 2006, Mr. Feltsman performed all of the Mozart Piano Sonatas at New York’s Mannes School of Music and NYU’s Tisch Center presented by New School on a specially built replica of the Walter fortepiano.
Born in Moscow in 1952, Mr. Feltsman debuted with the Moscow Philharmonic at age 11. In 1969, he entered the Moscow Tchaikovsky State Conservatory of Music to study piano under the guidance of Professor Jacob Flier. He also studied conducting at both the Moscow and Leningrad (now St. Petersburg) Conservatories. In 1971, Mr. Feltsman won the Grand Prix at the Marguerite Long International Piano Competition in Paris; extensive touring throughout the former Soviet Union, Europe and Japan followed.
In 1979, because of his growing discontent with the restrictions on artistic freedom under the Soviet regime, Mr. Feltsman signaled his intention to emigrate by applying for an exit visa. In response, he was immediately banned from performing in public and his recordings were suppressed. After eight years of virtual artistic exile, he was finally granted permission to leave the Soviet Union. Upon his arrival in the United States in 1987, Mr. Feltsman was warmly greeted at the White House, where he performed his first recital in North America. That same year, his debut at Carnegie Hall established him as a major pianist on the American and international scene.
A dedicated educator of young musicians, Mr. Feltsman holds the Distinguished Chair of Professor of Piano at the State University of New York, New Paltz, and is a member of the piano faculty at the Mannes College of Music. He is the founder and Artistic Director of the International Festival-Institute PianoSummer at New Paltz, a three-week-long, intensive training program for advanced piano students that attracts major young talents from all over the world.
Mr. Feltsman’s extensive discography has been released on the Melodiya, Sony Classical, Musical Heritage Society, and Nimbus labels. His discography includes eight albums of clavier works of J.S. Bach, recordings of Beethoven’s last five piano sonatas and of the Moonlight, Pathetique and Appasionata Sonatas, solo piano works of Schubert, Schumann, Chopin, Liszt, Brahms, Tchaikovsky, Mussorgsky, Messiaen and Silvestrov, as well as concerti by Bach, Brahms, Chopin, Tchaikovsky, Rachmaninov and Prokofiev. His most recent recording with orchestra is a release of Rachmaninov’s Concerto No. 3 with the Russian National Symphony Orchestra conducted by Mikhail Pletnev from a November 1992 performance at the Bolshoi Hall of Moscow Conservatory, alongside a recording of Rachmaninov’s Elegy and Six Preludes made in November 2010. He also released within the last two years highly acclaimed “Tribute” recordings on the Nimbus label featuring the music of Tchaikovsky and Scriabin as well as recordings of Chopin’s Ballades, Waltzes and Impromptus.
JAN 12, 2014
SUN 4 PM
- Partita No. 1 in B-flat Major, BWV 825
- Partita No. 2 in C minor, BWV 826
- Ballade No. 2 in B minor, S. 171
- Bénédiction de Dieu dans la solitude (from Harmonies poétiques et religieuses, S. 173)
- Vers la Flamme, Op. 72
Liszt: Liebesträum, No. 3
JAN 13, 2014
MON 7:30 PM
- Sonata in A-flat Major, Hob. XVI:46
- Sonata in A minor, D. 537
- Arabeske in C Major, Op. 18
- Carnaval, Op. 9
Schumann: Bunte Blätter, Op. 99, No. 3